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Posts from the road

Celebrities and the Jersey Shore

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(West Long Branch, New Jersey, U.S.A.)

One of the interesting parts of the New Jersey conference was interacting with people whose names I knew…but whom I had never actually seen or met.

As this was an academic conference, many of the attendees and presenters were authors.  I brought along a few books for signing, as it appeared that time would be available to meet the authors.  In each case, the authors were unfailingly polite and it was abundantly clear that they were also big fans of the music.

The Jersey Shore

There was another attendee who might be a little more famous (by work, if not by name) to those outside of the Beatles’ world.  He has a very significant Beatles connection, but he has also reached the pinnacle of his profession through his work with other musicians.  However, he rarely attends events like this…and I wondered if he might not be too thrilled to meet “fans”. 

Science Hall at Monmouth University

While I did obtain his autograph and briefly speak to him, I was most struck by his keen interest in the conference.  Although he was a featured guest, he did not just zip in and out of the conference for his assigned slot.  He arrived early and stayed for several days (and these were long days)…perhaps even longer than I did!   And it was evident that he was just as polite with, and considerate of, other “fans” as he was when I met him.  

Woodrow Wilson Hall, Monmouth University, Long Branch, New Jersey

This made me ponder the whole idea of celebrity.  If I were famous and pursuing one of my interests, my patience with being approached by strangers might eventually get worn down.  Imagine  having to deal with that all of the time!  And so, given the grace with which this person was handling things, I have decided not to name him or post a picture.

Bey Hall, Monmouth University

Almost exactly four years ago, I came across a similar issue when I visited the Abbey Road recording studio in London, England.  The building (and the pedestrian crossing outside of it) are, of course, iconic in the Beatles world.  I readily accepted a stranger’s offer to take my picture while I walked across Abbey Road.  However, one of the most famous musicians of all time also lives quite close to that studio…only a few minutes’ walk away.

I had to take a look, as I was curious about the style in which this musician lived.  I thought about taking a picture and posting it on this blog.  In the end, however, I decided that posting a photograph would just contribute to the “siege” that this musician must often feel.

Bethlehem, Pennsylvania…on the way back home

As a result, rather than posting “celebrity” photos, I have decided to illustrate this post with some more travel-oriented photos of the conference trip.  The final stop was a  brief visit to the nearby Jersey Shore (see photo at the very top of this post), which I had heard about but never actually seen.  After taking some final pictures and ceremonially touching the chilly Atlantic Ocean, it was time to begin the long journey back home.

Posts from the road

Return to Academia

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(West Long Branch, New Jersey, U.S.A.)

After the great concert on the first night at Monmouth University’s music symposium (see my previous post – and also photo above), it was time to get a little serious.

There were roughly 50 “elective” seminars spread out over 10 time slots, so it was impossible to see everything.  I decided to challenge myself and attend something that sounded really obscure…a seminar on “irregular hypermeters”.  As I was never able to fit any music electives into my university timetable, I braced myself for the worst.  I have a good grounding in the basics of music theory, and have always been intrigued by odd time signatures, but haven’t really studied music seriously for about 35 years.  Even with the conference’s underlying Beatles theme, perhaps this was taking things too far?

The back of Woodrow Wilson Hall (Monmouth University)

My fears were groundless.  Yes, some of the language was challenging, especially when the professor also incorporated a philosophy called “aesthetic realism”.  And irregular hypermeters weren’t actually odd time signatures, as I had originally thought.  But then something very cool happened:  the professor was so enthusiastic about the material that the required intellectual gymnastics suddenly became attainable.

The “OceanFist Bank Center” at Monmouth University

The basic idea was that the musical phrases in Beatles music are often captivating because they do not comply with the “rules” for popular music.  For example, instead of the expected lengths of 4, 8 or 12 bars, the phrases would be 5 bars (“Eleanor Rigby”) or 7 bars (“Yesterday”).  This is what you call an “irregular hypermeter”.  Sure enough, if you count out the beats and bars, these songs (and many others) do not fit the expected pattern.  The predictability so often found in blues and country music, and by extension much popular music, just isn’t there.  Is this why the Beatles’ music still sounds fresh and inventive today?

Front entrance to Woodrow Wilson Hall

The professor was a gifted musician…in fact, it turns out that he has won awards as a composer.  But instead of leaving us with just an interesting theory, he actually demonstrated on the piano what “Yesterday” would sound like if it contained “standard” verse phrases of 8 bars rather than 7 bars.  It was corny, and almost painful to hear.

After showing how (via the music of Burt Bacharach) the unusual phrasing and chord changes in “Eleanor Rigby” also surprise and delight, the professor took some questions from the class.  At one point, he erupted into a vocal passage from an opera (in German!) to demonstrate his point.

Side entrance to Woodrow Wilson Hall

Before we knew it, we had run way past the scheduled end of the seminar.  In a sign that the message got through, I later enthused about this previously unknown subject to my friend…and, over the next several days, anybody else who would listen.  I also found myself counting out the lengths of melodic phrases in every piece of music I encountered (note: don’t try this when you are driving).  Sure enough, the most cliched-sounding songs rigidly follow the same old patterns.

Just in case you missed it – another view of Woodrow Wilson Hall (with previously unnoticed pink glow)

While this topic continues to fascinate me, I think the key take-aways are a lot simpler.  First of all, being passionate about what you are teaching can break down a lot of barriers.  Secondly, learning out of pure interest is far more effective than learning out of necessity.  And finally, you’re never too old to learn.  If you can find something you’re passionate about, those rusty old learning skills will come rushing back!

Posts from the road

An awesome concert in New Jersey!

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(West Long Branch, New Jersey, U.S.A.)

On very short notice, I decided to join a friend on a road trip to a four-day academic music conference at Monmouth University in New Jersey.  This was purely for fun and had nothing to do with my employment.  I was free to attend whichever seminars and events caught my interest.

My previous exposure to New Jersey consisted only of passing through Newark Airport on my way to and from New York City.  Most of what I saw was concrete.  This time, however, I found myself at an idyllic college that seemed far removed from urban America.

Stop for gas in Pennsylvania’s Pocono Mountains

The conference itself was scheduled to coincide with the 50th anniversary of the Beatles’ eponymous 1968 album (popularly known as the “White Album”).  While most of the seminars had some connection to that album, the topics ranged from the media in 1960s Germany to “irregular hypermeters” (more about that in a future post).

Yes. New Jersey’s Garden State Parkway passes through a place called Cheesequake!

In addition to the daytime seminars, there were “working” lunches with keynote speakers, dinners with live entertainment, evening presentations for all attendees, vast numbers of books for sale…and, on the first night, a concert by a band called “The Weeklings“.  They seemed to be fairly well known, so we decided to attend as the tickets were included with our conference fees.

I was so impressed with Cheesequake that I took another picture

I had no idea that this concert, by a band that was completely unknown to me,  would be one of the very best that I had ever attended.  The Weeklings are primarily a Beatles tribute band, meaning that they replicate the songs of the Beatles in concert.  I’ve seen plenty of these bands before, and many of them are quite good.  My brother-in-law even portrayed John Lennon in one of them. However, the Weeklings (see photo at the top of this post) don’t look anything like the Beatles, nor do they even try.

The interior of Monmouth University’s Woodrow Wilson Hall, where we ate our dinners and attended a number of presentations

The concert was a live recreation of (most of) the White Album.  For those of you who are unfamiliar with that double album, it is by far the most musically varied of any Beatles album.  The songs range from acoustic ballads to heavy metal, ska to music hall, and everything in between.  The songs are also full of musical tricks, including multiple time signature changes within the same song or even the same verse. Playing it live is an extreme test.  But the Weeklings were up to it…for this special event, they even had a 5-piece string section and a 6-piece horn section.

Descending the marble staircase into Woodrow Wilson Hall’s dining area

It was astonishing.  Even with Paul McCartney’s vast financial resources, the string and horn parts at his concerts are generally played by one guy with a fancy keyboard.  To hear these songs live, with the actual arrangements and instruments that appear on the record, was really something special.

The Weeklings on stage at Pollak Hall

But that wasn’t all – the Weeklings then proceeded to play a handful of their original compositions (with obvious Beatles influences)…and then play even more Beatles songs that are rarely performed live with full string and horn sections.  While their string-heavy and amped-up version of “I am the Walrus” was deeply impressive, it was “A Day in the Life” that really took things to the next level.

“A Day in the Life” is, in my opinion, the Beatles’ finest song.  The recording, with its unprecedented and seemingly random 24-bar orchestral crescendos, represents one of the highest points of 20th century popular music.  To hear it live, with that instrumentation, was like nothing I had ever heard.

The musicians acknowledge the crowd at the end of the show

It has been said that writing about music is like dancing about architecture:  it is very difficult to do well.  But If I haven’t conveyed it clearly enough, please just take my word for it…this was amazing, and you should definitely see these guys if you ever get the chance.  They don’t always have the strings and horns with them in concert, but even as a 4-piece band with a keyboard player on the side, they are still incredible.  What a great way to start the conference!